Category Archives: Flash Pulp

FPGE29 – For a Good Time Call

Welcome to Flash Pulp Guestisode #29

Flash PulpTonight we present For a Good Time Call

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This week’s episodes are brought to you by Call Me Bliss!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, as our narratrix is still recovering from her recent dental misadventure, we are incredibly pleased to present a creeper by Bliss Morgan!

Thank you so much, Bliss!

 

For a Good Time Call

Written by Bliss Morgan
Narration by Bliss Morgan
and Audio produced by Jessica May

 

The text of tonight’s episode is available at CallMeBliss.com

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

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Filed under Flash Pulp, Guestisode

FPSE34 – The Portly Detective

Welcome to Flash Pulp Special Episode #34.

Flash PulpTonight we present The Portly Detective

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This week’s episodes are brought to you by the Mob!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we find ourselves on a brief detour, and discover what happens when Jurd can’t shake the notion that he should write a certain scene after finishing one of the lesser Philip Marlowe novels.

 

The Portly Detective

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

A Skinner Co. Network Podcast

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

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Filed under Flash Pulp, Special Episode

MMN11 – American Ninja 4

American Ninja 4

Join Nutty, Hugh, and Skinner Co. as we talk over this terrible film!

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https://www.youtube.com/watch?v=C_6MGll0tGo

This show is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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FP457 – Go On

Welcome to Flash Pulp, episode four hundred and fifty-seven.

Flash PulpTonight we present Go On

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This week’s episodes are brought to you by Gatecast!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we find ourselves in a lesser-known Las Vegas casino as Mercutio Rogers, professional crooner, prepares to take the stage.

 

Go On

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

Thirty seconds into Here’s That Rainy Day the jaguar had Mercutio’s skull in its jaws.

Another thirty and his corpse was nothing but a limp toy being hauled around the stage by the malnourished, but triumphant, cat.

It was the 1950s, and Mercutio Rogers was little more than a one-hit-wonder, so the venue had been small. Mercutio’s manager had demanded he sing a ballad at the beast, borrowed from a show over at The Flamingo, and, knowing it was the only way he’d put a dent in Dean Martin’s audience, the crooner had agreed.

The fencing ringing the footlights had been hastily erected, and by the time it was properly breached by the predator’s owner, and his tranquilizer gun, those few audience members unfortunate enough to have been in attendance – and to have been stunned into silence at the attack – had witnessed the consumption of most of Mercutio’s smooth-toned throat.

Somewhere at the back of the house the lights were raised, a panic ensued, and even the diehard gamblers obliviously stumbling from the bar to the blackjack tables were shown the door. The Vegas PD arrived, tutted for a while, then carted his body away.

His mother, an English professor from Connecticut, was no doubt called and informed of her son’s demise. A man with a bucket arrived to mop away the congealing stain that would be the last mark the twenty-three-year-old would leave upon the stage, then he too departed.

Finally, in a move unusual for Vegas even in those early days, the lights went out.

Mercutio witnessed it all.

Being dead and left in the dark was easily the most terrifying experience of his evening, and that included having watched both his killer and cadaver escorted from the building. It took an hour in the shadows for the ghost to cease his shivering, and another three for him to truly believe he was gone. Larger movements came but with great concentration, yet his position, sprawled across the stage, gave him a clear view of the morning shift shuffling through the doors. Dice needed to be tossed, cards dealt, and booze dispensed – the death of one B-list troubadour did little to slow Vegas’ appetites, much less stop them.

Cindy Delano, who he’d met briefly in the tiny management-provided dressing room, approached. The hem of her sequined cocktail dress, her uniform at any hour, trembled slightly at the prospect of belting out a show tune on the very spot her former work acquaintance had been mauled to death, but Mercutio knew he’d only spotted her hesitance because he was a fellow professional background-noise provider.

“Don’t worry about it,” he told her, as she crossed the lights, but Cindy did not pause.

“Hello and welcome to the Moonglow Motel and Casino, everybody!” she said, her dress aglow as she made her practiced half-turn.

Again the deadman noted her reluctance: Her tone did not contain the vigour he had previously hated to hear at 9am, yet, despite it meaning he was minimizing his own death, he found himself telling her, “it’s okay kid, I don’t mind.”

He did, however, feel a slight pang as the four-piece offstage backing band opened on “If I Were a Bell.” At that moment the thought that his voice would never again be heard by an audience seemed to outweigh even the loss of his shabby apartment, his terrier Franky, and his favourite velvet suit.

He dueted, but, unaware she was singing with a partner, Cindy left little room for his interjections.

A Skinner Co. ProductionIt wouldn’t be the last time he’d try a melody that went unheard. As the fifties rolled over into the sixties the skirts shortened and the sets grew longer. Sometimes, when he recognized the chorus, he would simply sing along from his splayed position upon the stage, and, as he was front row for every set and most of the acts rarely changed their lineups, it was rare that he did not know the song in question by the third night of its performance.

On other occasions, when the only sound to fill the great room was the bing and chime of the increasing army of slot machines, he would force himself upright and launch into one of the classics. Yet, no matter how loud he bellowed, no matter how perfectly he hit his notes, he could not turn a single head; could not catch a single ear.

One quiet Tuesday he realized the room was empty. It remained empty throughout the following Wednesday, and then, upon Thursday morning, a dozen men in overalls descended upon his scenery with pushcarts.

It took them a further two days to strip the gaming equipment, fixtures, and carpets.

The weekend was otherwise spent in darkness, the room having been designed as windowless so that its occupants would not realize just how many hours had been spent on tossing dice and pulling greasy levers.

While he had noted that both undertakings had slackened in recent days, it was upon the following Monday that Mercutio realized the true extent of his predicament: It was then that the grinding sound of machinery began somewhere beyond his vision, and within moments the flailing arm of a mechanical beast had ripped through the eastern wall.

By sunset the Moonglow was little more than a pile of rubble being readied for the trucks that would haul it away.

In his youth Mercutio had been terrified by a tale of Roman soldiers, long dead, marching across the British countryside. It had not been the phantoms themselves that had kept him awake at night, his blankets pulled high against his nose – no, it had been the notion, imparted by the witness’ account, that the men had been only half visible, their lower portions having been lost to the depths of dirt and rubble that had buried the highway upon which the legionnaires marched.

Long had been the evenings on which he considered the idea that perhaps the world was massively haunted by such ghosts; that perhaps, in the ancient places of the world, there teemed beneath their feet an entire metropolis of the dead, forever wandering through a darkness of worms and dirt.

Once the remnants of the Moonglow were removed, however, Mercutio found himself not buried, but instead floating some feet above the ground.

For a month he was left to consider the desert’s chill nights and blazing days, then construction began anew and his fears returned. Would he find himself in a maintenance closet? On the tiles of a gin joint’s bathroom? Would he be pinned in a wall when not actively attempting to stand?

Fortunately, the new owners of the plot were constrained on either side by the Moonglow’s more successful neighbours, and were thus forced to build up rather than out. In the end the footprint of the new establishment, The Hideaway, was not so different than the shabby row of drive-up motel doors it replaced. The floor had dropped, to provide greater foundation, but the stage had also raised, leaving Mercutio more or less in the same unnoticed position in the spotlight he had occupied at the time of his death.

The carpets were uglier now, however, and the slot machines bedecked with blinking lights. The table games were in another area entirely, well out of his line of sight, but the acts the expanded setup attracted were equally gaudy.

A family of motorcyclists installed a metal sphere, for a two week engagement, and spent their evenings nearly avoiding each other as they conducted tightly choreographed loops. Two dozen showgirls backed a second-string Rat Pack member singing songs of nostalgia that had been new in Mercutio’s day. An endless parade of comedians came and went, their names and faces changing almost nightly but their jokes mostly staying the same.

The years rolled on with Mercutio in attendance for every show – and often providing his own a capella musical accompaniment.

As with the Moonglow, The Hideaway’s star rose and fell. The carpets wore thin, and so did the entertainment. By 1982 the rooms were still packed, but now because the one-armed bandits were so cheap. The stage was still full, but simply because the management refused the cost of installing a proper audio system to pipe in canned music.

It was this same thriftiness that caused the aging equipment powering the footlights to grow dangerous through their endless jury-rigging to keep them running. The fire began in the darkness beneath the platform, and had spread to the interior of the flimsy walls before it became clear what was happening.

Equally outdated fire safety regulations did the rest, and a hundred nickel slot players were left to choke and collapse.

Their first moments in this afterlife – or, at least, afterdeath – brimmed with smokey terror and confusion, yet, even as they realized the pain had passed, Mercutio cleared his throat and welcomed them with the opening bars of Here’s That Rainy Day.

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

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Filed under Chiller, Flash Pulp

CCR25 – The Killer Shrews

CCR25 - The Killer Shrews
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[CCR Feed: RSS/iTunes | Skinner Co.: RSS/iTunes]

Your hosts, Hugh of Way of the Buffalo, Rich the Time Traveler, Opopanax, and Jurd, have gathered this evening to consider 1959’s The Killer Shrews

Haven’t seen the flick yet? Here it is:


https://www.youtube.com/watch?v=GVsddgwHi40

Chrononaut Cinema Reviews is presented by https://www.skinner.fm and Way of the Buffalo, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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FC132 – Parrot PTSD

FC132 - Parrot PTSD
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Hello, and welcome to FlashCast #132.

Prepare yourself for: The Last Dragon, the Mob Book Club returns, Awake Dating, GT Snow Racers, and Muddy York

* * *

Pulp-ular Press:

* * *

Skinner Co. Announcements:

* * *

Mailbag:

  • Send your comments and questions to comments@flashpulp.com!
  • Thank you for your commentary and game reviews, Rich the TT!
  • * * *

    Backroom Plots:

  • Censors: a Collective Detective Chronicle (Part 1Part 2Part 3)
  • * * *

    Also, many thanks, as always, Retro Jim, of RelicRadio.com for hosting FlashPulp.com and the wiki!

    * * *

    If you have comments, questions or suggestions, you can find us at https://www.skinner.fm, or email us text/mp3s to comments@flashpulp.com.

    FlashCast is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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NtS014 – Context

NtS13 - Context

In which JRD reaches for a bit of perspective on publishing, German wildlife, and beer.

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This show is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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Filed under Flash Pulp, Note to Self

FP456 – Joe Monk, Emperor of Space: The Ladder

Welcome to Flash Pulp, episode four hundred and fifty-six.

Flash PulpTonight we present Joe Monk, Emperor of Space: The Ladder

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This week’s episodes are brought to you by BoopQuest!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we find Joe Monk, the last human and future Emperor of Space, standing in a swamp at the edge of the known universe.

 

Joe Monk, Emperor of Space: The Ladder

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

As the boxy shuttle touched down, Joe Monk – one-day Emperor of the vast stretches of void and the specks that litter it – patted the multiple pockets of his orange and blue jumpsuit in search of the plastic cubes the locals considered currency. He tipped as heavily as his expense account would allow.

It seemed only fair, the cabbie was actually a runabout from the export station further into the sun’s orbit, and their approach to the shanty town had made it clear there was no chance of a random fare heading back the other way.

The round being that piloted the taxi had been silent the entire trip, yet as soon as the craft lifted off Monk was missing its quiet thereness.

At the edges of the development it was difficult to differentiate what was wild growth and what was constructed shelter. With materials in short supply the inhabitants had taken to burrowing into the massive trunks that rose from the knee-high water, and scattered ladders had been nailed into the hardwood to build skewed platforms on especially stout low branches.

From behind reed mats strung across otherwise open windows he noted large eyes marking his progress

Soon, however, he was passing the homes’ inhabitants with increasing regularity. They were thick-limbed bipeds, their arms overlong for Joe’s liking. Their stout bodies were covered in a short layer of fur – enough to keep them warm during the planet’s chill night cycle, but not so long as to hide their lack of the dangling bits that Monk associated with romance.

While several nodded as he passed, there was enough potential in their muscled shoulders that the human’s simple instincts had him wishing he still carried a weapon. He’d lost the right when he’d been promoted out of his position as an agent of the law for the Council of Ten Stars.

The timber and scrub thinned, giving way to rough-hewn stilt houses. Here was a brown-haired giant dipping barrel legs into the water from a crude porch; here was an almost identical colossus using ropes to clamber up one of the wide trees to collect the fruits in its mist-veiled heights; here was a nearly perfect copy of the other two napping in a ragged hammock patched with moss.

Monk was beginning to spot the subtle differences between the locals. Though there seemed little sign in variation in the length of their fur, they’d taken to shaving their faces and arms in elaborate patterns. Ahead of him stepped a tall-necked Goliath with trimmed bands of broadening width climbing its biceps, and an inverted pyramid of slashes under its ostrich-egg eyes exposing the gray skin beneath. Further along Joe encountered another who’d cut an intricate series of labyrinthine spirals onto only the left side of their face. It did not take a former lawman to note the tight loops must must have required close and careful upkeep.

Between the fern fronds and tin-sheet roofs Joe caught sight of the tower that had guided his landing, and the sound of machinery began to grind through the insect song.

Now he began to see signs of black market activity: Lovely but inexpensive gems harvested from the mine and sold, unbeknownst to the suits that had set up the operation, upon porches and small slat-sided booths – at least until the inventory wranglers could arrive and realize the worth of what was slipping through their security nets; Sickly green ration blocks broken down into stews with a hefty dash of local vegetation despite strict corporate policy against such experimentation; Versions of the identical giant dressed in sliced tarps, their fashion meant to imply a sexuality that their naked forms were incapable of. Though briefly tempted to stop and speak with these members of the oldest profession, if only to determine what kind of services a race without apparent genitalia could offer to satisfy the others of its kind, Monk pressed on towards the mechanical roar.

Finally, with his boots soaked and his jumpsuit slowly filling with muck-laden water, the last human reached the heart of the remote mining settlement.

FP456 – Joe Monk, Emperor of Space: The LadderThe rocket had settled as a single stacked tower and its fuel tanks jettisoned to be scavenged to form portions of the housing surrounding him. Two modules had also been deployed, likely in the final stages of descent, to act as outbuildings of a higher quality than anything the neighbourhood’s architects had, given their meager materials, been able to construct.

To the left of the column stood the cap to the open mouth of the mine, the cage elevator and winch system having arrived as a prefabricated whole, and to the right stood a similar shelter, though this half the size of the pit entrance. Its smell was acrid and clung to Monk’s nostrils and tongue, but it was a familiar reek – this was not his first encounter with the sort of trap intended to gather local animal life to be mashed into component parts and reconstituted into what the suits considered useful forms ready for labour.

As he watched a four-legged beast, likely having been lured this far into the camp by food scraps, approached the stench of pheromones and mating musk. Having appeared on its eastern side, an iris no larger than a watermelon slid open and awaited its arrival with endless patience, and before Monk could think to hiss at the compound-eyed animal, to perhaps save it from a gluey fate, the last of its pale green tail disappeared into the enticing tube.

“Dammit,” said Joe, really only to himself, and he was forced to wonder if he was already just as late in assisting the labour force shuffling about behind him.

Shrugging, he made his way towards a similar iris, this one his own size and dominating the face of the central spire.

Inside he encountered the first non-natural lighting he’d seen since arriving. No doubt the mine below was also lit with bulbs strung from the rocket’s core, but apparently there was no energy to spare from the craft’s nuclear heart to light the village that serviced the rock crusher.

The rooms inside were low, segmenting the tube to maximum efficiency. The bottom-most chamber was dominated by a ring of chutes, and Joe knew that if he’d arrived on market day there’d be a crowd of the giants, each carrying a basket, bag, or simply a cloth spread wide to catch their weekly allotment of the food blocks he’d spotted earlier in his inspection. Wedged between two of the chromed channels stood a ladder, but the chamber above was locked. Still, the very reason Monk had been reassigned from his law enforcement position was the cracking of a similar door – one that had been the entrance to a black market garment factory that turned out to be the property of a Planduckian ambassador’s son-in-law. The arrest had been upheld, though the fine was little more than a slap on the wrist, yet the Council of Ten Stars had quickly come back to Monk with the offer of a promotion.

It was only once behind his new desk that he’d realized how limiting his position truly was. He’d been raised in the silence of space, and being trapped on the core worlds, to vote once a week and spend the rest of his time in expensive restaurants in hopes of being seen by social scene columnists, had felt like a step down even if his pay had increased. It was not for a lack of information coming to him – rumours of improper operations abounded – yet how was he to take action when everyone around him was ordering freshly slaughtered shelmdon smothered in lemon sauce?

In the end he’d told Macbeth he was heading out for a weekend of fishing on the second moon, then he’d used his new found wealth to buy a berth on a trawler headed rimward. The complaint file he’d taken with him was simply the most recent to arrive, and may as well have been selected at random.

The lock popped with a satisfying electronic chirp, and the room above had the unsettling look of a surgery. There was a reclining table at the room’s center, large enough to hold the form of one of the mine labourers, and above ran a series of tracks and thick-cabled manipulation claws. The edges of the room were lined with tanks: More of the bodies slowly being formed from the fauna captured in the adjacent module. The tubs also seemed to drain into the chrome chutes he’d seen earlier. No doubt any nutrients left unused in the creation of new bodies was being processed, compressed, and delivered to the hungry mouths below.

For safety reasons – those of the technicians who’d constructed the craft, certainly not his own or the beings it built to labour – the next hatch up had a transparent window, and here Monk had to halt: He was not equipped to enter the bulk cryogenics chamber, he hadn’t thought to pack sub-zero gear while landing in a humid swamp.

Still, the telltale signs of Space Brains were all over the room.

Space Brains, of course, were the press’ sneering term for the frosted neurons of a great many races. Each sentient faction, at some point in its development, attempted to combat death through cryogenics, and it was generally before gaining enough awareness of the space beyond their own solar systems to enter the greater empire. Maintaining other people’s grandparents was an expensive business, and contracts were often formed with corporations looking for cheap labourers, generally to operate under unpleasant conditions. Any excess body mass would be cut away, keeping only the neural core, and then a factory rocket could be fired at any backwater in the universe to pile up resources until such time as a freighter was sent around to retrieve them.

Of course each entity was given an option, upon defrosting, to re-enter cryosleep, but the yes/no interface screen also included a running tally of their bill, and a warning regarding service outages if the total amount went unpaid for too long a window.

Technically such labourers were paid for their time, and it was a frequent talking point of the pro-Space Brain lobby that a non-company body could be purchased on the free market, but the statistics indicated it was almost an impossibility to save for even the lowest quality replacement while already making regular payments on their current body. Reconstitution was, of course, also invoiced.

Worse, the modular bodies, so foreign from the various races’ originals, were often of shoddy design and prone to rapid disintegration. The climates into which they were sent rarely eased the process.

That said, Monk knew this operation to be below galactic standard in almost every way. Minimum housing necessities had not been met – though rent would no doubt be extracted from each worker’s pay – and any work site of this size was obligated, under galactic law, to have at least a dozen non-indentured oversight foremen to maintain safety standards and proper corporate conduct.

Yet who wanted to ship away from their kids for a year or two on a copper-rich mudball? The distances involved meant a lack of supervision – or inspections – in exactly the places they were needed most. Though such locations were ripe for citation, which low-level inspector had the budget for such explorations, or the job security to indict the same interests that filled the Council’s pockets?

This abandonment also meant Monk didn’t have any shirt lapels to grab and immediately blame – but he had an idea on how to fix that part of the problem at least.

Back on Prendax Prime the cost of a meal at the chop house preferred by the majority of ministers – say a sweet Klebnarian porterhouse and a bitter Jandaxian whiskey, always signed-off on as necessary expense to cabinet business and thus covered by the taxpayers – was such that it was often jokingly stated you could live a year on belter pizzas for what an afternoon in a Prendax eatery would pull from your pocket.

That said, while they’d taken Monk’s gun, they’d also, at least, given him a credit chip.

Stepping from the cold metal floor to slowly settle back into the swamp muck, Joe reached into the depths of his jumpsuit and pulled out the only other item of value his new post had provided him: A small notepad with his position’s seal across the top and a tight block of legalese at its base.

Across the front of the top sheet Monk simply scrawled, “Closed for labour violations,” then he slapped the self-adhering slip to the right of the iris he’d just exited.

Though few in the camp could read English, the block of text at its bottom, translated into the dozen most common languages, clearly set out that whoever held the pad carried galactic authority, and Joe’s hooked thumb did the rest. He did not allow another worker to enter the mine head, instead pointing to the note, then back to camp. These were unmistakable signs in any language, and, besides, there was little eagerness to dispute his claim.

Finally, nearly twenty Earth hours after touchdown, he was sure the last of those below had ridden the cage to the surface module. It had required going down himself, to shout and prod through the small spaces, and it was only his experience of having been raised in the limiting confines of his ship that had kept the claustrophobia of the place from weakening his knees.

By the time he’d completed his roundup he’d gathered a decent surface crowd, including the being he’d come to think of as Left-Side – he or she with the intricately shaven spirals. With little else to do with their sudden free time, the throng seemed happy to help with his undertaking, and Left-Side soon became a fast friend in getting the others organized.

It took a dozen of them to pull the elevator’s cage free of its confines, but it was intended for deep-shaft operations and there was plenty of slack with which to entwine the trap module’s stink. A sound like laughter came from between the teeth of Left-Side and the rest as the button was pressed and the cable tightened its loops, eventually collapsing the outer walls of the protein gatherer. Then the high-powered winch – built to tote heavy loads of ore – pulled the crumpled unit across the muck, halting only once the damaged capsule was firmly lodged in the mine’s open maw.

Monk had considered doing similar to the central tower, but he dare not risk the frosty sentients inside.

The damage was well beyond the automated systems, so the computer had likely already launched a request for a repair crew. By the time the call center had issued a work ticket, however, he would have placed his own request to the Council’s law enforcement arm, and arrests would be made as the specialists touched down. He felt for the maintenance people, but they wouldn’t be imprisoned long: They were union, and the technician’s guild’s lawyers were to be feared. The shark-faced litigators of Fendex would quickly point out that the tool jockeys were simply following orders, and a game of hot potato would begin. Monk doubted it would climb so high as the boardroom responsible, but the stress of the litigation might better the quality of the next instant colony.

He would see at least. Joe planned on finding out not long after it was planted.

There was, though, a lingering pang of guilt regarding the amount of baked flat-bread the shuttle who had delivered him was about to begin shipping between the station and the camp, as it would still be a while before there was anyone at hand who could afford the return trip. He resolved that he’d simply have to tip well for every delivery.

He was, after all, the newly appointed Deputy Minister of Labour.

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

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Filed under Flash Pulp, Joe Monk

FP455 – The Haunting on Cedar Crescent

Welcome to Flash Pulp, episode four hundred and fifty-five.

Flash PulpTonight we present The Haunting on Cedar Crescent

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This week’s episodes are brought to you by Glow-in-the-Dark Radio!

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we visit Ruben Clay, a man alone in his haunted house.

 

The Haunting on Cedar Crescent

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

For the fifty-first day Ruben Clay rose to the smell of freshly brewed coffee. The heating system had not yet kicked in, as Addie should have been twenty minutes from finishing her run, but the combination of his bladder’s pressing concerns and the wafting promise of caffeine was enough to push him out of the bedroom, down the short hallway, and into the bathroom.

The house, still technically in night mode, followed his movements with no more lighting than was necessary to maneuver, and the soft glow over the sink did little to break up the red stain of dawn creeping through the window.

“Good morning,” said Addie’s voice as he entered the kitchen.

She’d always been the one to tend the system, and she’d left the customized responses to keep him company while away for a two-week job training session in California. The few dozen phrases she’d sat and recorded into the white box in the basement, one Saturday afternoon in June, had been quickly forgotten upon her return – at least until fifty-one days previous. Summoning her voice had been the single alteration to her setup that he’d allowed himself.

“It’s going to rain today,” said one of the six weather clips, and, without being asked, the television – visible from the counter’s raised position atop a short trio of stairs – blinked on in the living room. Here, again, was Jonathan Miller, the morning guy, delivering the usual bad news from a too-loungey couch while flanked by a couple of interchangeable blond women who would be rotated out of service when they hit twenty-five.

Ruben hated Miller for having such an indecently bright smile at such an early hour, pitied the blondes for their cloying attempts to make a mark before their expiry dates arrived, and damned himself for letting the thing unspool for a full ten minutes before reaching for the remote.

He had never, and would never, understand what she’d seen in the show, and he remained convinced she’d watched it solely because it had been her father’s habit even back when Miller had only been able to afford one brunette and a bottle of peroxide.

Or so he’d used to joke. She’d never laughed, but that hadn’t stopped him from saying it.

The coffee was strong, but today that was just fine. For a time he sat in silence, listening to the hum of the house as the climate control applied flame and wind to rooms that no longer contained Addie – to rooms that never would again.

Eventually he stood, dressed for work, and prepared to depart.

As he pulled wide the door and prodded the alarm system to engage with a five minute delay, the house reminded him, “it’s going to rain today.”

He’d grabbed a jacket and locked the entrance behind him with two minutes still on the timer.

The downpour came late in the day, but it was more than simple rain – it was, in fact, the sort of thunderstorm seen but once or twice a spring; the sort of gale that leaves a week of downed trees and chainsaw-wielding city workers in its wake.

He returned to an unusually quiet house, a house whose mechanical tone stated, “there has been a power outage, please restore settings,” at regular intervals.

A Skinner Co. ProductionIt’d been fifty-one days since the teen in the red pickup had slammed into their Lexus, yet the ghost of her habits had haunted the place on automatic timers until that moment.

Ruben waited out an epoch in that doorway, his laptop bag in hand, his eyes stinging, and the place feeling as empty as he had ever witnessed it. Finally, when he could stand the strange voice’s coaxing no more, he made his way to the basement, and the small white box that acted as his home’s brain.

The display was asking a single question: “Begin new two-week training phase or restore saved program?”

To his surprise he lingered for an instant, then he thumbed the backup labelled Addie.

He spent the rest of the evening listening to the hum of the house breathing through its ducts, until exhaustion finally pushed him towards bed – or, really, the brief list of chores he needed to accomplish before allowing himself the respite of unconsciousness.

A second fleeting doubt hit him then. Wasn’t he just loading the coffee maker to avoid the smell of burning he’d awaken to otherwise?

Was he wiping away her existence with such thoughts?

He retrieved a fresh paper filter and dumped the mass of ground beans into the waiting hopper.

Was he trying to fool himself into thinking part of her was still alive as long as their shared home behaved like she was? Shouldn’t he reset the automatic timer and begin to recapture the house in small steps?

It was the first moment in nearly two months that he’d allowed such a notion to occur to him, but, even as he did, the lights at the far end of the house began to dim, the rooms falling hush around him: Time for bed.

The last of the glow lit his path down the hall, his shuffling feet dragging from another too-early morning.

Yet, though he’d only been able to briefly consider conducting the rituals necessary to clear her ghost from the house on that fifty-first day, tomorrow would be the fifty-second.

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

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CCRC7 – Friends S1E1

Friends
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Hugh of Way of the Buffalo, Opop, and Jurd, have gathered this evening to talk over the first episode of Friends!

Chrononaut Cinema Reviews is presented by https://www.skinner.fm and Way of the Buffalo, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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Filed under Chrononaut Cinema Reviews, Flash Pulp